Advice to a Poet…and All the Writers Out There

A friend of mine recently asked that I share some advice with a friend of his, who happens to be an emerging poet seeking publication. It’s always a pleasure to connect with other writers, so I decided to post my response here, in case that my journey might help someone else.

Dear Poet:

As much as I love poetry, I am a novelist so I’m afraid I don’t have the kind of specific advice that an experienced poet might offer, but I can tell you what I might do if I were you. So please take this with more than a grain of salt.

Because of the explosion of the internet (a market of 2-billion+ users) and the need for quality content, short stories and poetry are very much in demand, so yes, you should continue to pursue publication in online publications. And if you haven’t already, I would definitely enter my work into contests. This is a way for your work to attract attention and to develop a following. It also helps you develop early credentials for your work. Naked and Hungry did not win the 2009 James Jones First Novel Fellowship, but it was one of 7 finalists in a field of 653. So I included this note in all query letters and eventually added it to the bio section of my published book. More valuable than a cash prize? You bet!

Next, if you haven’t already, I would purchase a copy of The Writer’s Market. Pronto! There’s a specific edition available just for poets and other genres such as children’s books, for example. This is the best way to get a bead on all the available markets for poetry and contests.  It also provides guidance on the development of a query letter, which is essential for approaching agents and publishers. This book is how I found my publisher, Ingalls Publishing Group, which specializes in regional and N.C. writers.

Also, you should strongly consider joining a writer’s group, in person or online. It’s a great way to get honest feedback on your work and trade ideas on publication opportunities. And again, you will have an instant “fan base” when you are published. Writers have a long tradition of supporting each other, and I am so fortunate that at least a handful will show up at my readings. They will also write reviews for you, an action that is absolutely immeasurable.

And finally, as you probably know, the publishing industry is undergoing radical changes, with the advent of e-books and the tragic closure of so many bookstores. Printing is an expensive business, which is why the big name publishers rarely take on new writers. However, the upside is that there is more opportunity for the little guys, at least those who are willing to work at it and pursue new markets for their work. Self-publishing should be strongly considered, especially for those writers with an entrepreneurial instinct. If you believe in your work, I would probably explore the idea of self publishing a small book of it and offering it for sale on Amazon. It would be an interesting experience and well worth the exploration, especially if you are doing all you can to develop a following.

In conclusion, due in large part to all the changes in the publishing world, there is no clear-cut path to success. Every writer has their own journey and unique story to tell. It’s tempting to stress about how hard it is when you’re not a big name like John Grisham. But look at the flip side. Think about the freedom that comes with NOT being a big name like Grisham. Can you imagine what it would be like if your publisher had the authority to dictate to you what you should write? Or told you where you had to go and what you had to do to promote your work?

When times are tough, I always find comfort in the words of another writer, yes, a poet, the legendary Maya Angelou. She once wrote:

“The world owes you nothing. Accept that and you are truly free.”

Believe in yourself, blaze your own trail, and have fun!

 

Dig Deeper

I recently read a profile of writer Pat Conroy and his wife, Cassandra King, also a novelist. I can’t remember his exact words, but in the article, Pat stresses the importance of “digging deeper” when he reaches an impasse in his writing. The answer is there, but he must dig deeper within himself to find it.

As an itinerant gardener, I found this advice to be very useful. My efforts are mostly confined to container gardening—quick payoff for minimal effort—but I’ve always admired the true gardeners, those who know what they’re doing. They’re willing to invest the time to make sure the soil is properly prepared. They, too, “dig deeply” to tender the loving care necessary to yield maximum blooms.

It’s the same way with writing. When I’m struggling, I can drift off the page for “research” but the truth is that most solutions are within my reach if I think carefully enough. Curiously, some of the best solutions happen when I’m not writing. They happen when I’m gardening, cooking, or walking the dog. Or, they can also arise during time spent with other writers.

Yesterday, I had the privilege of attending a workshop hosted by the Burlington Writer’s Club in Graham. Young adult writer Maureen Wartski, novelist and teacher, led a group of us on revision. From description to flashback, we spent time on the little tricks that writers use to propel their stories. At the end, she encouraged us all to created detailed outlines—much in the way that a gardener might create a landscape blueprint—to help guide our stories. The more I think about it, the more I realize how much writers and gardeners have in common. Gotta go…it’s time to prune my bushes!

Leaving A Trail

Last year I had the privilege of hearing Elizabeth Kostova, author of The Historian and The Swan Thieves, speak at the National Book Festival in D.C. about her personal writing process. She said that unlike some writers, she never plots too far ahead. Instead, she lets the story tell itself and trusts that all ends will fall into place eventually. While crouching on the grass in the heat, and trying not to worry about the camel cricket just inches away from me, I remember admiring her faith.

Just as this picture demonstrates, the trick for me is balancing my knowledge of the present moment with the trail I’ve got to leave behind me. It’s not easy to remember to plant nuance and clues for the reader. For the fiction writer can leave very little to chance.   If you drag a toe in the sand, there needs to be a reverse action that makes sense for the reader.

Now at work on my second novel, and thoroughly enjoying the new characters and complications introduced into the familiar town of Yatesville, I still work from a rough outline. It’s at the top of my file and serves as a guidepost of where I hope to end up. Not sure that’s the best way but it works for me. It’s like my little yellow bucket of shells. It’s a catch-all for the tidbits I can’t bear to leave behind.