Let’s Start a Nano-Palooza!

This month I was honored to pen the introduction to the November newsletter for Women on Writing, the prestigious and inspirational writing community. I’m reprinting it here, in the hopes that my fellow writing friends will take advantage of National Novel Writing Month (or NaNoWriMo).

I was a skeptic. To put it mildly. In other words, I was the ultimate NaNoNayer (NaNo-Naysayer ☹). The idea had always seemed a little silly to me. Why write my heart out in November when technically I could do that all year long? And what’s with all the badges, tools, and community building? As an adult, I should be able to manage myself without all the hoopla, right? Besides, I wasn’t working on a novel anyway.

The truth is that I didn’t write my heart out all year long. And I couldn’t manage myself. In fact, among freelancing, taking care of three dogs, tending a garden, volunteering at church, and the normal kerfuffle of life, it was all I could do to set aside a few hours a week to finish a single essay. I needed a little push. In fact, I had been talking so long about finishing my memoir that the eyes of my writer friends glazed over every time I brought it up. So, when I found out that NaNoWriMo isn’t just for novelists, I decided to give it a try.

All writers, whether novelists, poets, playwrights, screenwriters, essayists and memoirists, are welcome at NaNoWriMo. In fact, anyone aiming to write 50,000 words toward any project will find something of value at NaNoWriMo, from motivation and accountability to making new friends and gaining new skills.

Last November, I cleared my calendar and finally started pulling together the pieces I planned for my book, which would be a memoir in essays exploring love, faith, and healing. Although I’d already written many of the pieces, I had never seen them all together in the same file. Doing so gave me the opportunity to look at them as a unit, edit and tighten, as well as plan new bridge essays to cover any holes. I also created a framework that tied together the chronological arc of the narrative—my seven years of growing cherries. Before November ended, I even had time to begin drafting a few of the new pieces. Along the way I logged onto NaNoWriMo regularly, joined a regional group, and began checking in, and lo and behold, the word count on my dashboard started to tick up and up and up! It was a true NaNo-palooza!

At the end of the month, the momentum continued. Over the next year, I concentrated on finalizing my new essays and wrote even more, ending up with a total of 22. Later, I turned back to my behemoth of a manuscript, and that’s when I re-discovered my draft framing document. This turned into the four thematic sections of “Plant,” “Believe,” “Pollinate,” and “Love,” and presto, I suddenly had a table of contents and my essays became actual chapters. Thanks to NaNoWriMo, I now have a 200-page manuscript that I’m currently circulating among my writing partners and will be submitting for publication.

Are you a diehard NaNoficionado? Or like me, are you on the fence? Either way, the tips in this column are meant to help you take advantage of NaNoWriMo and meet your own writing goals.

Think big. As mentioned before, you don’t have to use this time to write a novel, but you sure can. This is perfect for writers like me who have a short story that yearns to be a novella or longer. Maybe you have a juicy flash fiction that’s just itching to be part of a collection. Or a poetry chapbook. Perhaps you have an essay collection, or a memoir, or like me, maybe both. Whatever you’re working on, take it to the limit, and imagine what you might do with 50K words. As for me, it wasn’t the writing itself that intimidated me. I suffered from the age-old commitment phobia. But once I gave myself permission to think BIG and actually envision my work as a book, the writing itself was easy.

Go a little wild. Consider your NaNoWriMo experience as your personal sandbox. This is your chance to break personal boundaries and do something new. For example, you could try writing in second person or maybe in present tense. Or perhaps you could branch out and turn a nonfiction article into the background for a novel or short story. Or shift a poem into an essay, one of my favorite “makeovers.” In my case, I literally went a little wild. With the title, that is. Calling my book “Cherry Wild, a Memoir in Essays” sets the tone from the beginning, reinforcing the theme of my reconnection with nature.

Quash the critic. The critic inside my head was NOT invited to my NaNoWriMo. While she will come in handy as I finetune my synopsis and coalesce all the feedback, I promptly kicked her out the door during my brainstorming and writing sessions. During the month of November, make sure that your creative and imaginative writer self is firmly in charge, NOT the critical editor. Send her on a month-long cruise! See ya later, you naughty infiltrator!

Meet a new writer. While you can easily connect with friends who are also part of NaNoWriMo by sharing your usernames, you can also meet new writers. In the “My Community” tab, you will find both discussion forums and regional groups to join. NaNoWriMo also sponsors specialized virtual meet-ups for writers of similar backgrounds or interests. 

Check in. Not only did I enjoy entering my word count into my dashboard and watching it rise, I loved keeping tabs on the progress of my writer friends. Witnessing their successes inspired me to work that much harder, and vice versa. Under the “My NaNoWriMo” tab you’ll see links to “My Buddies.” Here is where you can easily see the word counts of your friends and compare theirs to your own.

Get support. This year NaNoWriMo offers more support than ever before, from yoga for writers to guidance on all genres, from fiction to memoir. The “Resource Hub” (under the “Writer’s Resources” tab) is your headquarters for support, including pep talks from celebrated writers and links to writing tips and exercises to keep your creative juices flowing. 

Celebrate! Once you begin reaching your writing goals, you’ll automatically rack up badges for important milestones, such as the 5K and 40K word marks. You can also award yourself a bevy of personal achievement badges for efforts such as planning, “pantsing,” and eureka moments. In addition, you may expect frequent kudos from your writing buddies, which will also keep you motivated every step of the way.

Ready to dive in? I hope so! My NaNo handle is “memwarrior” and I’d be honored to be your writing buddy. I hope to get some traction on a couple of new projects, including a creepy seaside novella. But if you’re still not sure, check out NaNo Prep, which offers a crash course in essential elements such as story development and time management.

For more inspiration, including craft articles, interviews and markets for submission, check out the complete WOW newsletter.

No matter where you are in your writing journey, I wish you all the best, and I hope you write your heart out this November. 

Make it a S-U-M-M-E-R to Remember!

This summer is a milestone for many reasons, but as you may have noticed, I officially changed my last name from “Memory” to “Harris!” I was thrilled to learn that my one-sentence flash essay “Pedal, Pedal, Pedal” won Off Topic Publishing‘s June 2023 contest on the theme of “Moving,” and I was so grateful for the opportunity to debut my new byline.

This piece wouldn’t have been possible if not for the support of Ang and Marilyn, my fellow “Memwarriors.” In fact, this piece was inspired by my love of Ang’s own masterful and riveting one-sentence essay, “Girls Like Us,” which appeared in Exposition Review. I’m linking it here so you can read it, too, and also fall in love with this unforgettable piece.

Why not try to write your own one-sentence flash? For more inspiration, I’m reprinting an excerpt from my column in the July 2023 Women on Writing newsletter, “Writer, Stop and Smell the Roses.”

As someone born in July, I’m a summer baby through and through. With so much inspiration around me, new ideas are springing up like clover. But it’s SUMMER! Gardening, swimming, dining on the deck, watching the baby birds…. What’s a writer to do?

As I thought about it, I realized the answer was right in front of me, in the form of an acrostic for the word S-U-M-M-E-R. If you’re like me, and you’re also suffering from a bad case of SWD (Seasonal Writer Distraction), I hope the pointers below will help you too.

S. Soak It In. As my puppy Tulsi reminds me, summer abounds in sensory pleasures—sights, scents, sounds, textures, and tastes. There’s the evening primrose with its velvety blooms, the myrrh fragrance of my roses, the eerie melody of the wood thrush, the sweet tang of my black raspberries, and more. Ahh! This is the time of year to let these sensations wash over you, and later, jot down those metaphors that will invariably come to mind. And don’t let those new ideas get too far away before acting on them.

U. Be U. Enjoying the summer is all about finding what works for “U.” While I should get back to my edits and revisions, I know that I must also reward myself along the way. After all, a dangling carrot is much more effective than a stick. For every hour spent on more difficult work, I’ve resolved to give myself the gift of 10 minutes to work on something new. And to satisfy my inner planner, I’ll set a mini goal or two for the summer, such as learning a new word or trying out a new style of sentence. But this is what works for me, and you are certain to find your own system. Whatever it takes, let “U” be “U” this summer.

M. Move. We writers know only too well how easy it is to park ourselves in front of a computer or notebook for hours. This is as bad for the mind as it is for the body. Think back to the frigid temperatures of January and how you longed for warmer weather and if you’re able, get moving. Take a walk around the yard in the morning. Breathe in the fresh air and revel in the scents of the season. Something as simple as lounging on the porch swing and feeling the sun on my face is all it takes to refresh my body and mind. Find a way to engage with the outside world and stretch your limbs, even for a few minutes. Your writing—and your health—will thank you for it.

M. Marvel. Awaken your inner child. Take some time every day to wonder about the world around you with fresh eyes. I like to imagine that the rustle I hear every morning as I walk by the bamboo grove comes from a family of fairies. Or that the dragonfly that just flew by shimmers with wings of stained glass. Whether it’s on your deck, in the woods, or at the park, spend some time marveling at nature. If you’re a poet, draft a new poem every day for a week. And if prose is your specialty, try to write a poem anyway, and use the language in your fiction or nonfiction.

E. Enjoy the Moment. Not only should you cherish the delights of summer, you should seize them too. As an example, I recently spent an entire morning laboring over the ending to a short story that just wasn’t working. Reluctantly, I took a break and heeded my husband’s call to witness one of our bee colonies swarm to their new home. Boy was I glad I did! This magical moment stirred my creative soul and generated a new metaphor that gave my conclusion that special little oomph. Don’t let your work keep you from experiencing the special moments of summer. They may never come again, and they may be just what you need.

R. Relax. The idea of summer is synonymous with napping in a hammock and paddling down a lazy river, but if you’re like me, you’re probably very busy trying to juggle it all—pets, gardening, family gatherings, and of course, writing. The extreme heat of summer can be exhausting, especially with more than twelve hours of sunshine, and it’s important that we take care of ourselves. Don’t feel guilty about taking a breather every now and then. Not only will it make you feel better, it just might improve your writing too!

If you like what you’re read so far, I hope you’ll check out the entire July WOW newsletter. It’s full of terrific writing advice and markets galore.

In the meantime, here’s wishing you a S-U-M-M-E-R to remember, full of endless joy and writing inspiration.

Happy Poetry Month!

In celebration of April being National Poetry Month, I’m republishing a recent column I wrote for Women on Writing, my favorite community of fellow writers.

With cherry blossoms, warmer weather and longer days, April brings so many reasons to celebrate. For me, the season has brought yet another new dog into my life. Along with Max, a Siberian Husky, and Finn, a beagle-terrier mix, we now have Tulsa Rose (Tulsi for short), a twelve-week-old corgi. With three dogs on my hands, I’m especially grateful that April is also the official month of poetry. Between the endless barking, nipping, and wiggling, I need all the sanity I can get.

Tulsi loves nothing better than sinking her
little baby teeth into poetry!

In a previous WOW column, I wrote about why writers of all genres should consider writing poetry. This time we’re going to discuss why you should read poetry. As I write this, I realize I’m probably preaching to the choir. However, as I’m sure that the poets among us would agree, the pleasures—and value—of reading poetry cannot be overstated.

Six Reasons to Read Poetry

1. Sound. Reading poetry magically slows down the frenetic pace of life and forces us to concentrate on the very building blocks of writing—words. In truth, poetry is about more than words. It’s about syllables and sound. There’s a reason childhood rhymes such as Mother Goose’s “Hickory dickory dock, the mouse ran up the clock…” are so easy on the ears. As adults, we still appreciate rhyme. Who doesn’t relish every single syllable of Sylvia Plath’s famously manic villanelle: Mad Girl’s Love Song? But non-rhyming poetry has its own delights. Who can’t read Poem by William Carlos Williams and not imagine every single step of the cat walking over the jam closet and into the flower pot? Reading poetry is a great reminder of the importance of paying attention to every single syllable.

2. Capture a Moment. Most writers, whether they consider themselves traditional poets or not, possess a poet’s sensibilities. What I love so much about Williams’ poem is the way he preserved forever the elegant stride of his cat in an otherwise awkward situation. When I’m having difficulties on a scene in my own writing, I remind myself to break it down to a single moment, just as Williams did. For example, as my character frets about her new life after a divorce, if I want to convey despair, I will have her observe and reflect on the naked branches of her favorite maple tree in autumn. Conversely, if I want to express hope, I’ll have her ruminate about the nubile leaves of the same tree in spring.

3. Art of Compression. Reading poetry reminds us of the power of brevity. Yard Sale Chair by Robert Cooperman (Rattle #7) tumbles with delightful metaphors that easily transport the reader into a scene that is all-too-familiar but made fresh again. Reading it makes me work a little harder on my own word pictures. Matthew Sweeney’s Five Yellow Roses, another poem I recently discovered, reminds me that the world abounds with little stories. When stumped for new ideas, I simply stop and observe life around me, and as Sweeney did, re-imagine the possible story behind scenes such as a flower delivery.

4. Builds connections. Who doesn’t have the minute or two that it takes to read a poem? The efficiency and sheer accessibility of poetry crosses generations, economics, education levels and more. For example, you don’t have to be a Gen X’er like me to sway to the music at Adult Night at Skate World. (Rattle, February 11, 2023). This lovely poem by Christina Kallery so perfectly recreates the angst of lost love, old friendships and cheesy music of the roller rink that it resonates with readers of all ages. The writers among us can learn from her concise descriptions, clever enjambments, and that unforgettable last line.

5. Fosters empathy. Connections lead to the ultimate goal of any writing—to build understanding and compassion. I challenge you to read Flute in a Far Room by Ruth Moose (Your Daily Poem) without feeling your own twinge of loneliness along with our homesick narrator. And you don’t have to be a dog lover to be moved by the late Jane Kenyon’s After An Illness, Walking the Dog (Poetry Foundation). Reading Kenyon—who, like Moose, elevates the ordinary into the sublime—reminds us that the simplest acts in life are the universal ones.

Ta-da! And now, drum roll please, it’s time for the final reason that you should read poetry. But I’m sure you saw it coming.

6. Improves your writing. Reading poetry is not only fun, it inspires you to be a better writer. For all the reasons previously mentioned and then some. It provides a welcome break from our own work, thus enhancing mental health and happiness. In this sense, poetry is the ultimate “self-care” for writers.

I hope you’ve enjoyed some of the work I’ve shared in this post, and like Tulsi, will soon sink your teeth into your own favorites. As a starting place, take a look at The Ten Best Poems of All Time (compiled by Marie Seeba for The Strand). And if the month of April leads to you to write your own poems, even better.

Wishing you a glorious spring full of writing and inspiration!

Writing for the Season Makes It Even Merrier

Later this month, my interview with Sarah Elaine Hawkinson of Sasee magazine will appear in the always erudite and inspirational Women on Writing monthly newsletter. (And if you’re not already subscribing, I hope you’ll consider signing up today!) Among other subjects, we’ll discuss how Sasee publishes writing based on a particular theme, such as October’s “Renew & Revamp,” which I covered in my essay “A New Shade of Me.

Seeking to build your own writing portfolio? If so, consider writing for the season. Whether it’s Christmas, Valentine’s Day or Memorial Day, for example, the holiday provides that instant timely hook editors just love. This year, I wrote several pieces specifically geared to the season. “Modern Conveniences” (Pinestraw, December 2022) was a humorous piece based on a Thanksgiving dinner saved by the voice of my Grandma Wilma and “How to Host a Holiday Party with Style While Living with M.S.” (Healthline, November 28) was written specifically for Christmas.

I don’t always get something written in time, but because the days seem to pass by so quickly, I don’t sweat a passed deadline. In fact, now I try to plan ahead. For example, I’ve already thought of new ideas for Christmas of 2023, based on events of this year. A piece I pitched to an editor for Valentine’s Day didn’t quite make the cut, but she was kind enough to help me figure out a way to make it work for March. So never give up on those “evergreen” ideas, either.  

As I learned in classes taught by best-selling author Susan Shapiro, just keep writing. An editor who Zoomed into one meeting advised us to be prepared by keeping a treasure chest of pieces based on our own areas of expertise. Just wait, she said, your time will come. A special event, such as a new study or a new book, may very well spur the need for your work. In the meantime, it doesn’t hurt to set a Google Alert for words based on your favorite subjects.

Thinking ahead to the New Year, I hope these tips help you meet your writing goals for 2023. In the meantime, please have a Merry Christmas, try to stay warm, and enjoy the rest of the season.

Just in Time for Halloween – My Haunted Lamp

Our little lamp in its new home

In 2018, my husband J.P. and I bought a used lamp that turned out to have a rather macabre history. It entered our lives at a pivotal time, and for a while, I actually thought it might be haunted. Of course I had to write about it. And I did, using this experience as the subject for an essay I wrote for a Women on Writing class with the extraordinary teacher Naomi Kimbell in January 2021. Writers among you may find the story of my essay as interesting as that of the lamp. It is truly a story of how many a “no” will eventually turn into a “yes.”

Because this work was so unusual, I felt that it might be a contest piece. I like contests because they’re usually open to all themes and for the price of the submission fee you often get valuable feedback. Over the past year and a half, I entered an essay I called “The Perfect Lamp” into a number of contests, and while it didn’t win, it was named a finalist in two places, the Lit/South competition and the Barry Lopez Nonfiction Award. Along the way, I also received a tremendous amount of feedback, from contest judges as well as that of my classmates and my faithful Mem-Warriors, Ang and Marilyn (whom I first met in another WOW class). Additionally, other friends read it and contributed their advice.

And I continued to submit, submit, submit……from pitching it to commercial magazines (yes, even the BIG one) to literary publications. I had never thought about it as a podcast but when I saw a market listing for PenDust Radio, a project of Rivercliff Books and Media, I started to think of my essay in a different way — not just as words on a page, but as an experience in sound. Because of the many nuanced elements in the story, it occurred to me that a podcast might be an interesting approach. Lucky for me, Lisa Duff, Rivercliff’s talented editor and publisher, agreed. She also helped me tweak the title, and just in time for Halloween, “The Perfect Lamp” has been reborn as “My ‘Haunted’ Lamp: Murder, Mystery and Remodeling” and is now live as a podcast.

The lesson for us writers is one we know all too well but still bears repeating. Submit, submit, submit! The practice of thinking about our work in its published form opens the door for continuous tweaks and improvements that might never happen without the inevitable rejections and feedback. And the act of sending our revised work out into the world yet again brings powerful rewards all its own. To do so acknowledges that we writers are capable of growth and development, lessons that will bear fruit in the next (and the next and the next) piece that we write.

With the approach of Halloween, I wish my fellow writers all the best in the metamorphosis of their own work. After all, revising and submitting again is very similar to donning a new costume, isn’t it? As my experience proves, I have no doubt that you, two, will see a “yes,” even it leads you somewhere you never expected. Enjoy the ride!

Of Lightning and Lightning Bugs

English speakers are so fortunate to claim a language with more words than any other—nearly 200,000—but writers, does it ever feel as if you just can’t find that perfect word? For us, this has to be the ultimate existential crisis. As Mark Twain so aptly said: “The difference between the almost right word and the right word is really a large matter—it’s the difference between the lightning bug and the lightning.”

I’m forever seeking that elusive flash of light, but not just for the purposes of scintillating conversation. I primarily aim to bolster my battery of expression while writing. For example, although “cajole” or “coerce” will do just fine, isn’t a fresh verb such as “dragoon” much more fun?

Of course I love those word quiz books that promise to make us smarter. And I keep Roget’s Thesaurus nearby at all times. I’m also a huge fan of daily emails from Dictionary.com or Merriam-Webster, although they sometimes offer up tongue-twisters such as “phantasmagoric” (having a fantastic or deceptive appearance) that I’m not likely to ever use, except perhaps in a poem. Now there’s an idea!

What works best for me is to discover a new word conveniently within its own context, such as in a book by a favorite author. Works by newspaper columnists are particularly illuminating. Thanks to Tina Brown, a Cambridge educated editor and writer of books such as The Vanity Fair Diaries and The Palace Papers, words such as “farrago” and “miasma” float up regularly in my word soup. A new set of authors—Jonathan Allen and Amie Parnes—has recently led me to discoveries such as “imbroglio,” “mien,” and “shambolic.” I make note of these words and their meanings and keep them handy as I write.

But there’s no inspiration like classic authors. After re-reading a little Henry James, I found myself surrounded by even more choices and unusual pairings. In Portrait of a Lady, James describes Isabel Archer’s ill-fated choice of Gilbert Osmond as a husband in this way: “She tasted of the sweets of this preference, and they made her conscious, almost with awe, of the invidious and remorseless tide of the charmed and possessed condition, great as was the traditional honor and imputed virtue of being in love.”

Invidious! Now this is a new word for me, and it means “likely to arouse or incur anger or resentment in others.” Having both a cat and a dog who can’t help annoying each other gives me plenty of opportunities to practice using both “invidious” and “remorseless.”

I would be remiss without including an example from Vladimir Nabokov, that famous polyglot and one of my most favorite writers. He not only drew from an enviable vocabulary spanning several languages, he was a master of description and metaphor. He opens his short story “Spring in Fialta” with some of the most beautiful prose ever written. (Read it online here). Later, in the same story, when describing an orchestra, Nabokov wrote: “First I noted the ostrich thigh of a harp….” I confess that I will drool over this delicious metaphor all day long.

I hope you’re inspired to assemble your own lexicon of new words. After all, we can’t wait around for lightning to strike. All good word warriors must be prepared to dazzle.

For more writing inspiration, check out my recent Women on Writing interview with my friend and mentor, the inimitable Ruth Moose.

Happy Independence Day – Liberate Yourself from Writer’s Block!

All writers suffer from the occasional bout of writer’s block. It’s our common demon, our scourge, and sometimes it even feels like a curse. But I’m here to help! In honor of our nation’s birthday, I challenge you to push through that impasse into the blue sky of freedom. Ahh!

In addition to providing 5 block-busting tips in the July column that I write for Women on Writing, I also interview my writing teacher and New York Times bestselling author Susan Shapiro, about her new memoir, The Forgiveness Tour: How to Find the Perfect Apology. Susan epitomizes talent and persistence, and you’ll be inspired by her humor and words of wisdom.

Liberate yourself from writer’s block by trying one (or more) of these handy tips:

1. Stop! An empty page is where all good stories start. But if you find yourself paralyzed by writer’s block, just stop. Don’t force yourself to write. You won’t like the result, and you may even, ahem, start to hate the work and beat yourself up. Before this happens, walk away. In fact, forbid yourself from writing for the next 12 hours. When I take a forced break, I end up missing it so badly that I often sneak back before my self-imposed suspension is over! The late Toni Morrison offered these wise words: “I tell my students there is such a thing as ‘writer’s block,’ and they should respect it. It’s blocked because it ought to be blocked, because you haven’t got it right now.”

2. Regress. Try to recover that same state of mind that sparked your imagination at the outset. When I struggled with a recent essay, I found myself flipping through a 1859 beekeeping treatise that inspired me in the beginning. The author and his charming prose reminded me of why I wanted to write this essay. If you reach an impasse, think back to the original inspiration for your idea—whether it was written by someone else or words from your journal. Stepping back into the past may actually help you go forward.

3. Read. If you’re working on a novel, pick up a nonfiction book. If you’re working on a nonfiction book, try reading a poem or short story. I actually have a shelf of reference books on everything from sailing to sewing that I’ll thumb through when I reach a concrete wall. It’s very liberating to read Rodale’s Illustrated Encyclopedia of Herbs when I’m working on something very different. Transporting myself mentally to a lavender field soothes my spirit and rejuvenates my writing mind.

4. Impose a Deadline. This sounds harsh I know, but nothing concentrates your mind like a looming deadline. If you’re floundering on a loose-ended project, get out the calendar and give yourself an official “due date.” Writer Jodi Picoult puts it more bluntly. “I don’t believe in writer’s block. Think about it – when you were blocked in college and had to write a paper, didn’t it always manage to fix itself the night before the paper was due? Writer’s block is having too much time on your hands.”

5. Say Adios to the Perfectionist! Quash that inner critic who tells you that every word must be flawless. Let your writing flow without interruption. If necessary, start with the main idea and express it in baby words. This is what I do. There’s plenty of time to come back later and smooth it out. Jennifer Egan says it better. “I haven’t had writer’s block. I think it’s because my process involves writing very badly.”

Another way to conquer writer’s block is to read through the vast list of markets actively seeking your work. In fact, without your contributions, these magazines, websites and other publications would face a “publishing block”! Help them out—and crush your own deadlock—by using one of these dynamic listings as a springboard for your imagination.

Good luck with your writing this month, and here’s hoping that your July simply sparkles, with both inspiration and productivity.

Fly to Your Writing Colony

Now that we’re at the end of May, we’ve officially entered summer. Hallelujah! The days are longer than ever, which means our yards and gardens are getting a full dose of sunshine. Our honeybees dance for joy this time of year, and it’s so much fun to watch those little workers fly out every day and bring in nectar for the hive from all the flowers in bloom.

Our bee family has at least 10,000 members and every single one performs a crucial role for the colony—from foragers to guards to nurse maids to royal attendants. And then there’s the queen, whose sole job is to lay those precious eggs that keep the colony chugging along. Nonetheless, her work would be useless without the battalion of workers by her side.

As the markets columnist for the esteemed writing community, WOW! Women on Writing, in October, I wrote an article on the value of feedback from other writers. So I ask, do you have a writing group or “colony” that celebrates and encourages you? If not, this post is for you because I’m providing four tips on how to find one. But even if you do already belong to a colony of your own, peradventure my advice may help you meet even more writing partners. You can never have too many.

Take a class! There is where I’ve met nearly all of my writing buddies; in fact, a class led to one of my current groups, one that we call the “Mem-Warriors.” We met during a WOW class on memoir almost two years ago, and I can’t imagine my life without them.

Hang out online. Sign up for NaNoWriMo. There’s a link to “Community” on this supportive and inspirational online community and you can search for writing groups by region. You can also follow fellow writers on Twitter or Instagram. Authors of all genres are known to use these platforms as well to solicit members.

Ask around. Pick your local librarian’s brain for suggestions. My local writing group, Randolph Writers, actually meets at the library and this is how I learned about them. And if you happen to be a member of a national or state writing organization, reach out to them for suggestions.

Create your own! That’s right. Put the word out to friends and family members that you’re founding a writing group. You can also Tweet about it or post a notice at your library. All it takes is finding one other like-minded “worker bee” and presto! You now have a new colony of your own.

Whatever you do, keep reading. The authors you discover in your journey will also become your writing sisters and they will be with you always. In the meantime, I wish you all success with your writing this month.

For even more writing advice and a list of markets seeking submissions, check out the June issue of the WOW markets newsletter.

Clacking Away in the COVID-19 Quarantine….

Typos? No problem! Just keep writing…..(Pictured: A 1957 Smith-Corona Electric Portable typewriter)

How are you spending your time these days? If you’re like me, you’re alternating between enjoying brief moments in the sun and trying to write your way through this pandemic.

Today, a terrific advocacy group dedicated to redefining narratives around disability, mental health, and chronic illness kindly published “How a Writer with Multiple Sclerosis Finds Unexpected Gratitude with an Antique Typewriter,” which is my story of how I’m using the extra time to find new ways to think, and hopefully improve my writing.

I’ve set a goal of writing two new poems each day on an old typewriter, and I have to say, it’s very refreshing to just clack away and not worry about typos or grammatical lapses. The kind of things best left to my inner critic, who takes an extended coffee break during these times.

In other news, I was recently honored to be asked to write a monthly marketing column for Women on Writing, my favorite writing community. This column is focused on writing inspiration and market listings for writers of all genres, from poetry to fiction to memoir. The newsletter is free, and if you’d like to start receiving it, you can easily subscribe by entering your email address into the box on the right at the top of the website.

Additionally, I’m taking a training course on the technicalities of teaching online classes, something I’d like to try in the future. As much as I adore leading in-person classes at Central Carolina Community College in Pittsboro, these times cry out for a new way for people to learn from the safety of their homes. And I’m all for that. It might be a stretch for me, but as I’ve learned by experimenting with my typewriters, it’s always good to branch out in some way.

Please stay safe (and sane), and of course, keep telling your story!

Short Stories at Pittsboro Writers’ Morning Out!

ashley at pmoOn Saturday, I had the pleasure of spending an hour with the distinguished writing group known as Pittsboro Writers’ Morning Out, (sponsored by our friends at the N.C. Writer’s Network) in Pittsboro. We met in the backroom of the Greek Kouzina restaurant and discussed the outlook for the modern short story in today’s literary landscape.

The good news is that the short story appears to be stronger than ever and with distinguished publishers such as W.W. Norton and the vibrant community of online lit magazines publishing more short stories than ever before, the time has never been better to write stories! Bolstered by the recent surge of flash fiction, new markets for short fiction appear every day.

We also awarded the WMO’s own “Ultra Flash Fiction Award” to the talented and distinguished writer Judith Stanton, and I was very happy to be the one to read it aloud. Her “Life is A Tale You Write As You Go,” was lyrical, evocative, and utterly spellbinding. My hour went by way too fast, but I did so enjoy spending time with both old friends and many new ones.

On our way home, we stopped by and visited our good friend Lee Calhoun, who is a national expert on the southern apple, and interestingly, is featured in the August-September issue of Local Palate Magazine.  Crazily, and doesn’t the short story show up in unexpected ways, but on the way home I learned that I won first place in the Starving Writers Contest sponsored by the Franklin County Arts Council for my own short story titled “Golden Delicious.” Talk about apples to apples! It will be published in County Lines magazine in November.

The good news for you is that there are many places to submit your own stories, from Women on Writing and Mental Paper Cuts (both with deadlines of Aug. 31) to Okay Donkey and The Disappointed Housewife, which accept stories on a rolling basis. These are a few of my favorites, and they are just the tip of the iceberg!

So keep sending your own “apples” out there! You never know just where they may end up.